Vasco Caetano Costa. 1977. Lives and work in Lisbon.
MA in Drawing and Printing Techniques, FBAUP, University of Oporto, Oporto 2011
B.A. in Sculpture ESTGAD, Caldas da Rainha, 2002
Vasco Caetano Costa. 1977. Lives and work in Lisbon.
MA in Drawing and Printing Techniques, FBAUP, University of Oporto, Oporto 2011
B.A. in Sculpture ESTGAD, Caldas da Rainha, 2002
For over 13 years, composer Troy Rogers’ creative work has focused on the development and exploration of robotic musical instruments as generators of new musical possibilities. As a musical robot maker, he co-founded Expressive Machines Musical Instruments (EMMI), a group of composers dedicated to exploring and expanding the potential of robotic musical instruments. As a Fulbright scholar, he spent time at the Logos Foundation in Ghent, Belgium working with Godfried-Willem Raes and what is perhaps the world’s largest robot orchestra, where he developed a singing vocal robot, Stemmetje. Living the life of an early 21st century semi-nomadic robot herder, he resides in Duluth, MN when not touring the country in the RoboRig, a mobile platform for the development and dissemination of music for robots. He performs on streets and stages alike as Robot Rickshaw. Rogers is also a committed independent educator, regularly presenting lectures and offering Making Music with Robots and STEAM education workshops at universities, galleries, community art centers, makerspaces, and schools throughout the US.
http://www.troy82.com
Olga Szymula is a Polish experimental sound maker and performer. She currently lives and creates her electro-acoustic worlds in Denmark. Her works take forms in concerts, records, film scores, installations and performances.
‘By diving into the ocean of various intensities, qualities and forms she travels the sonic trip
of twisted characters, imaginary landscapes and dramatic turns.’
In music her main intention is to explore the full spectrum of sound and its dynamics, intensities and qualities. She bends and plays around with music forms, combining playful melodies and songs with abstract forms and noises.
www.olgaszymula.net
www.nomadicisland.net
www.youtube.com/watch?v=feeLEcGVHVQ&t=2s
The performance is supported by DPA, Danske Populær Autorer
Amy Knoles has been percussionist for the world renowned California EAR Unit, played solo shows and various collaborations all over the world, as well as teaching percussion at California Institute of the Arts (CalArts) in Los Angeles.
Throughout her career she has increasingly been using electronic percussion instruments and percussive triggering of electronic sound generations. Friday May 26th she’ll be giving a lecture/workshop at the Iceland Academy of the Arts. In the workshop she will demonstrate her equipment and techniques, as well as giving participants hands-on experience. In the evening she’ll perform a concert sharing the evening with Monika Fryčová [CZ] audiovisual artist, performer and writer.
Friday May 26th 13:00: Lecture/workshop
Friday May 26th 20:00: Performance
Both events takes place in Sölvhóll – the concert hall of Iceland Academy of the Arts, Sölvhólsgata 13. Entrance is a back of the house, from the Skúlagata side.
http://www.amyknoles.org
Agnes and Antonia are developing a new tool for measuring the impact of presence in a space at a given time.
Agnes Ársælsdóttir is currently studying Fine Art in The Icelandic Academy of the Arts. Her work is often in collaboration with the audience, sometimes to the extent that the piece itself would not exist without them. She has recently been working with sensors that detect movement, making the audience trigger sound.
Antonia González Alarcón is a Chilean artist currently based in Mexico. Her works focus on how people make themselves present in the world and how we can leave a testimony of our existence, through different interactive pieces.