RAFLOST 2024

Schedule

SATURDAY 23rd of NOVEMBER

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13:00 – 15:00 Dótabúðin-Robot Workshop – Reykjavik City Library, Gerðuberg, Breiðholt

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16:00 – 18:00 Opening / Performance – Hafnarhaus, Tryggvagata 17

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20:00 – 22:00 Concert – Hafnarhaus, Tryggvagata 17

Dótabúðin – Robot Workshop

í Borgarbókasafninu, Gerðubergi. 23.nóvember klukkan 13:00-15:00.

City Library, Gerðuberg. 23rd of november, 1 PM – 3 PM // english below

Leiðbeinendur/Worshop leaders: Sam Rees & Jesper Pedersen

REGISTER HERE: https://borgarbokasafn.is/vidburdir/born/fribud-dotabudin-velmennasmidja

FACEBOOK: https://www.facebook.com/events/969920294899120/


Fyrir krakka og ungt fólk. Hámark 16 þátttakendur.

Bókun á vef Borgarbókasafnsins: https://borgarbokasafn.is/vidburdir/born/fribud-dotabudin-velmennasmidja


Á þessu skemmtilega og skapandi námskeiði verður gömlum rafmagnsleikföngum breytt í spennandi hljóðfæri og teiknivélar með einföldum tökkum og tólum. Með því að taka leikföngin í sundur og setja saman aftur á nýjan hátt munu þátttakendur á þessu námskeiði búa til ný hljóð og einstök teiknimynstur.

Leiðbeinendurnir hvetja til verklegra tilrauna og munu virkja ímyndunaraflið. Þáttakendur þurfa ekki að kunna neitt, bara hafa áhuga á skrýtnum og sérstæðum hlutum, eins og hvernig mótorar og leikföng geta breyst í framandi og flott listaverk.

Á námskeiðinu læra þátttakendur að:

  • Taka leikföng í sundur á öruggan hátt.
  • Nota rofa til að stjórna mótorum og hreyfingu.
  • Búa til einfaldar vélar sem teikna eða búa til hljóð.
  • Finna skapandi lausnir með öðrum þátttakendum.

Það má koma með sín eigin ónothæfu rafmagnsleikföng til að taka í sundur eða nota dót sem verður á staðnum.

Um Sam samkvæmt ChatGPT

Sam Rees er breskur listamaður búsettur á Íslandi. Hann er þekktur fyrir að skapa gagnvirk listaverk úr fundnum hlutum, sérstaklega leikfangarobótum sem hann umbreytir til að mynda flóknar, sögudrifnar senur. Verkin hans eru blanda af DIY-menningu og súrrealískum frásögnum. Sam hefur kennt gagnvirka miðla við Listaháskóla Íslands frá 2014 og vinnur mikið með jaðar- og lo-fi list sem endurspeglar áhuga hans á verkum sem brjóta upp hefðbundin menningarmynstur

Um Jesper samkvæmt ChatGPT

Jesper Pedersen er íslenskur listamaður og tónskáld sem vinnur með innsetningar, blandaða miðla og hljóðlist. Verk hans kanna oft samspil tækni og náttúru, með sérstakri áherslu á rafræna tónlist og hljóðheim. Hann er þekktur fyrir nýstárlega notkun tækni og efnis sem brýtur upp hefðbundin listform. Pedersen hefur einnig unnið með hljóðverkum í tengslum við hljóðfæri eins og mótúlarsamstæður og sameinar sjónræna list við tónsmíðar


For kids and young people. Maximum 16 participants

Register here: https://borgarbokasafn.is/vidburdir/born/fribud-dotabudin-velmennasmidja


In this fun and creative workshop, kids will learn how to transform old toy robots into exciting instruments and drawing machines using simple tools and switches. By taking apart the robots and reassembling them with new functions, participants will create devices that make sounds or draw unique patterns.

This workshop encourages hands-on exploration and imagination, with no prior experience needed. Through playful experimentation, kids will discover how mechanical parts like motors and gears can be repurposed to make their own interactive creations.

What you’ll learn:

  • How to safely take apart and repurpose toy robots
  • Using switches to control motors and movements
  • Building simple machines that draw or make sounds
  • Creative problem-solving and teamwork

What to bring: Any old or broken toy robots you’d like to repurpose (optional), or use the scrap materials provided.


About Sam according to ChatGPT

Sam Rees is an anti-disciplinary artist and educator currently teaching at the Iceland University of the Arts. With a background in interactive media and a strong focus on robotics, electronics, and creative coding, Sam’s practice blends art and technology to create interactive installations and workshops. Their work often explores themes of sustainability, play, and repurposing materials, encouraging a hands-on, experimental approach to making.

About Jesper according to ChatGPT

Jesper Pedersen is a composer, sound artist, and educator specializing in electronic and experimental music. Currently teaching new media composition at the Iceland University of the Arts and Computer Music at the Kópavogur College of Music, exploring innovative approaches to sound and technology in contemporary music.

dj. flugvél og geimskip

Airplane & Spaceship 

Electronic musician from outer space

dj. flugvél og geimskip (Airplane & Spaceship) is the one-person orchestra of Steinunn Hardardottir that draws influences from a thousand worlds. Defined as psychedelic electronic dance-music from outer space, the music is a mix of playful beats, cool bass, catchy melodies and unusual vocals. Her live performances are highly memorable and the music deals with alien worlds, mysteries, and surrealistic dreams. Her concerts are a strange blend of music, storytelling, poetry, and theater. The audience is left feeling like they are in a vivid dream or have traveled to outer space. dj. flugvél og geimskip has released three full length albums. Two of her albums won the Icelandic Kraumur Music Awards, her album Our Atlantis was nominated as the best electronic album of 2019 at the Icelandic Music Awards and her album Nótt á hafsbotni was nominated as the Best Pop Album at the Icelandic Music Awards 2015 and received raving reviews from both Uncut and The Arts Desk amongst others. 

 “Utterly charming and hugely entertaining, she could have taught The Knife a thing or two about staging and The Flaming Lips that spectacle can also work on an intimate scale.” 

-The Arts Desk

“Sometimes an artist’s recorded output cannot adequately prepare you for the experience of seeing them live, and Iceland’s dj. flugvél og geimskip is the perfect example. She bounces onto the stage looking like a cross between Lauren Mayberry and Björk, her pile of synths decorated with gold streamers and topped off with a color-changing disco-ball-light-thing. What follows almost feels like a piece of performance art – dj. flugvél taking on the role of a bizarre storyteller, spinning wonky electronica into tales of evil cats, deals with the devil, spaceships, being cloned by aliens and I swear to God I’m not making this up. She’s quite clearly in a world of her own, but dj. flugvél og geimskip is very accommodating of visitors, so you might as well stay a while.”

-Drowned in Sound

Music:

Spotify:

https://open.spotify.com/artist/1o2bSYi5f5sNMAzxwjvwol?si=_TJSFE6yTaCKIf0b1dZ9zQ

Silfrún Una Guðlaugsdóttir

Silfrún Una Guðlaugsdóttir’s works reflect a fascination with man-made sounds and the sincerity within them, often appearing as sound installations, performances or video works.

She is curious about the spectrum of the voice, how it can be used to tell stories through song, mimicking instruments, machines, foley sounds or by humming your favourite tune.

Her artistic process revolves around the interaction of sounds, movements and objects, drawing inspiration from soundpoetry. 

Alongside her practice she collaborates with Tara Njála Ingvarsdóttir, forming the performance duo Tara and Silla. The main themes of their works are friendship, social situations and celebration, which appear mainly in the form of installations, performances and/or video works.
Silfrún’s works along with the works of the duo Tara and Silla have been exhibited in Kling og Bang, Ásmundarsalur, Kjarvalsstaðir, Nýlistasafnið, Harbinger and group exhibitions in The Hague, and Vienna. 

Silfrún Una graduated with a Bachelor’s degree in fine arts from the Iceland University of the Arts in 2020. 

Love Synthesizers

The First LOVE FM Synthesizer

FM synthesis and wave morphing made effortless and fun!

Nýtt íslenskt fyrirtæki; Love Synthesizers er nú í óðaönn að undirbúa framleiðslu á sínum fyrsta hljóðgervli. Hann heitir First Love (Fyrsta ástin) og notast við FM aðferð til að skapa hljóð. FM hljóðgervill virkar þannig að ein hljóðbylgja hefur áhrif á aðra og úr verður nýtt hljóð. Þessi aðferð við hljóðgerð hefur hingað til verið flókin og margir því ekki nýtt sér að fullu möguleika FM við gerð tónlistar og hljóðhönnunar. 

Okkur hjá Love langar að breyta nálguninni á FM með okkar nýja hljóðfæri og gera hana aðgengilegri. Við leggjum okkur fram um að búa til einfaldan og skemmtilegan hljóðgervil sem bæði er góður í að búa til hljóð, skemmtilegur og hljómfagur.

Tónlistar-og myndlistarmaðurinn Steinunn Eldflaug Harðardóttir, einnig þekkt sem dj. flugvél og geimskip, varð óvart hluti af hópnum á sem stendur að gerð First Love hljóðgervilsins og hefur tekið þátt í hönnunarferlinu og farið ásamt Love FM á tvær alþjóðlegar ráðstefnur að kynna hann fyrir almenningi sem og fólki innan ,,bransans”. Hún mun sýna okkur hvernig hljóðgervillinn virkar og gera sitt besta til að sýna fram á að FM getur í alvörunni verið einföld og skemmtileg aðferð við tónlistar og hljóðhönnunar. Einnig mun hún sýna hvernig hún nýtir sér synthann í sinni tónlist og segja frá aðkomu sinni að verkefninu, sem og að svara spurningum. 

https://www.lovesynthesizers.com/about

ENGLISH

The FIRST LOVE synthesizer has an engaging interactive interface on a 7″ touchscreen with real-time graphics as well as hardware controls that shape the output of its sound generating module.  It gives unprecedented real-time control over the intricate variables of an FM synthesizer in a fast-flowing user friendly manner.

https://www.lovesynthesizers.com/

Helgi Pétursson

Helgi Pétursson (1962) útskrifaðist úr Tónfræðadeild Tónlistarskólans í Reykjavík þar sem kennarar hans í tónsmíðum voru Þorkell Sigurbjörnsson Atli Heimir Sveinsson og Þorsteinn Hauksson. Síðar lauk hann einnig MA námi í Microtechnology in Music Education frá University of Reading.

Á námsárum Helga var töluvert af verkum hans flutt opinberlaga, þar á meðal rafverk og einnig voru flutt eftir hann verk eftir að hann lauk námi, meðal annars á þeim árum sem hann var starfandi sem tónlistarkennari á Húsavík. Helgi hefur mjög lengi haft mjög mikinn áhuga á raf og tölvutónlist og einnig á tölvutækni almennt og starfaði hann um árabil sem forritari.

Eftir að hann hætti sem starfandi tólistarmaður lá tónsköpun hans að mestu niðri en nú hefur hann tekið upp þráðinn að nýju með verkinu Blindfugl/Svartflug. Blindfugl/Svartflug er samið í júní 2024 og er byggt á samnefndu ljóði Gyrðis Elíassonar frá 1986 sem Helgi les í heild í gegnum verkið.

Hugmyndin að þessu verki er mjög gömul því það hafði verið draumur Helga að gera þetta verk nánast alveg síðan hann heyrði Gyrði lesa ljóðið upp í útvarpi fljótlega eftir að það kom út. Það hafði mjög sterk áhrif á hann. Verkið má segja að sé viðleitni til þess að undirstrika þau hughrif og stemmingu sem ljóðið vekur með margbreytilegum hljóðheim og búa þannig til nokkurs konar hljóðmynd með ljóðinu.

ENGLISH

Helgi Pétursson (1962) graduated from the Department of Theory and Composition at the Reykjavík Conservatory of Music where his teachers in composition were Þorkell Sigurbjörnsson, Atli Heimir Sveinsson and Þorsteinn Hauksson. Later he also completed an MA degree in Microtechnology in Music Education from the University of Reading, UK. During Helgi’s student years, quite a few of his works were performed in public, including electronic works and works by him were also performed after he finished his studies, including the years when he was employed as a music teacher in Húsavík.

Helgi has for a very long time been very interested in electronic and computer music and also in computer technology in general, and he worked for several years as a computer programmer. After he retired as a working musician, his composition was mostly stopped, but now he has picked up the thread again with the piece Blindfugl/Svartflug.

Blindfugl/Svartflug was written in June 2024 and is based on a poem of the same name by Gyrðir Elíasson from 1986 which Helgi reads in its entirety throughout the piece. The idea for this piece is very old because it had been Helgi’s dream to make this piece almost ever since he heard Gyrðir read the poem on the radio soon after it was released. It had a very strong effect on the composer. The piece can be said to be an attempt to emphasize the impressions and moods that the poem evokes using a varied sound world and thus create a kind of sound painting of the poem.

Deepa R. Iyengar

www.deepariyengar.com

Deepa R. Iyengar kannar rými til að uppgötva í þeim hvað vantar, er ósýnilegt eða óraungert. Verkin myndast oft sem innsetningar þar sem hún setur fram orkuna, upplýsingarnar eða möguleikana sem leynast í tómum rýmum eða þögnum. Viðfangsefni hennar tengjast oft valdi, stjórn og frelsun.

Deepa er með M.A.-gráðu í myndlist frá Listaháskóla Íslands. Hún er búsett á Íslandi, þó upprunalega frá Bandaríkjunum, þar sem hún lauk S.M. (M.Sc.) í heila- og hugvísindum frá Massachusetts Institute of Technology, og B.A. í eðlisfræði og stjörnufræði frá Carleton College.

Deepa hefur tekið þátt í einka- og samsýningum á Íslandi, í Bandaríkjunum og Litháen. Hér á landi hefur hún sýnt verk meðal annars á Listasafni Reykjavíkur – Hafnarhúsi, Kling&Bang, Ásmundarsal (sem hluti af listamannasafninu D.N.A ), og Nýlistasafninu.

Á hátíðinn mun Deepa kynna nýtt verk sem hún kallar SÍÐASTA HLJÓÐIÐ

Hljóð var fyrsta efnissamspil alheims, þrýstibylgjur sem þenjast út í 400.000 ár áður en ljósið skein. Hljóð er yfirgripsmikið, alltumlykjandi, margvítt, summa efnisupplifunar sem mótar og mótast af rýminu sem það breiðist út í og flötunum og áferðunum sem það mætir. Hljóð tengir það-sem-hefur-verið við það-sem-er-að-skella-á, endurómar dýpstu eðlishvöt mannsins, kallar á viðbrögð hvort sem það er til góðs eða ills; til sáttar eða stjórnunnar; til að gleðja eða afvegaleiða, pynta. Hversu langt þar til við sigrumst á hljóðrófinu öllu? Og hversu langt þar til það leiðir til loka okkar? Og séu það lokin, hvað tekur við? Algjör þögn? Eða mun hljóð halda áfram að óma með þunga þess sem var: vera síðast, sem það var fyrst?

Frekari upplýsingar er að finna með því að skanna QR kóðann

Deepa R. Iyengar explores spaces in order to discover within them what is missing, invisible, or unrealized. Her preoccupation with the hidden manifests in installations which are dominated by loaded silences of space or time. Frequently her topics have to do with power, control, and liberation.

Deepa has participated in various solo and group shows in Iceland, Lithuania, and the U.S. In Iceland, some of the places she has shown are Reykjavík Art Museum (Hafnarhús), Kling&Bang, The Living Art Museum, and Ásmundarsalur (Gryfjan) as part of the artist collective D.N.A.

Deepa holds an M.A. degree in Fine Art from the Iceland University of the Arts. She is a resident of Iceland, though originally from the U.S., where she attained an M.Sc. in Brain and Cognitive Sciences from the Massachusetts Institute of Technology, and a B.A. in Physics and Astronomy from Carleton College.

ENGLISH

At Raflost Deepa will show new work she calls THE LAST SOUND

Sound was the first material interaction of our universe, pressure waves expanding outward for 400,000 years before the universe became transparent to light. Sound is pervasive, omnipresent, multidimensional, a sum of material experiences molding and being molded by the space in which it propagates and the surfaces and textures it encounters. Sound connects what-has-been to what-is-about-to-happen, resonating with the deepest instincts in humans, calling for response whether for good or for evil; for harmony or for control; to bring joy or to disorient, manipulate, torture. How long before we conquer the whole sonic spectrum? And how long before that leads to our end? And if there is an end, what then? Absolute silence? Or will sound continue to resonate with the weight of what was: to be last, as it was first?

For the audio sources follow this qr code

Ægir


Ægir er trommari og tilraunatónlistarmaður frá Reykjavík. Í janúar 2020 frumflutti hann einyrkjaverkefni sitt, þar sem hann kannar nýjar hljómlendur með hjálp safns gítarfetla og annarra hljóðbreytitækja; fyrst um sinn bakvið trommusett en í seinni tíð hefur hann nýtt sér í auknum mæli breiðara úrval hljóðefna (rödd og hringóm spila þar stóra rullu).

Hann hefur gefið út 8 sólóplötur undanfarin fjögur ár, hver þeirra heimur út af fyrir sig.

Á Raflost mun Ægir flytja hljóð/myndverkið BRIDGES for breathing disaster ásamt bróður sínum, Óðni Degi. Óðinn hefur áður forritað myndefni fyrir tónleika Ægis – en í þetta skiptið byggði hann heim sem hann mun kanna, beygla og bjaga í rauntíma, meðan Ægir gerir slíkt hið sama með hljóð.

ENGLISH

Ægir is a drummer and experimental musician from Reykjavík. January 2020 saw the debut of his solo project, where he explores new sonic avenues with the help of a collection of guitar pedals and other sound-manipulating devices; initially from behind the drum kit, lately using and abusing a wider variety of sound sources (voice and feedback play big roles).

He has released 8 solo albums over the last four years, each one a world of its own.

At Raflost, Ægir will perform the audio/visual work BRIDGES for breathing disaster together with his brother, Óðinn Dagur. Óðinn has previously programmed audio-reactive visuals for Ægir’s live shows – but this time he built a world that he will explore, mangle and distort in real time, while Ægir does the same with sound.

Kristian Ross

”the result of thought operating on noise”

Monument of failed attempts to approach truth through thinking.

Pedestal, speaker, big red button, excerpt of Jiddu Krishnamurti public talk (Saanen, 1979). Words. Silences.

 

Danish musician, composer and sound artist

Located in Reykjavik, Iceland

https://kristianross.dk

Masaya Ozaki & doro sora

Masaya Ozaki is a New York/Iceland-based composer born in Niigata, Japan. His work examines the idea of space as a transient entity, the subtleties behind small moments, the sensitivity of the ephemera, and the future of sound in an exceedingly materialistic world. He often finds inspiration in nature, the fragility of human interactions, and the momentums behind them.
Masaya’s artwork materializes as field recordings and compositions for film, dance, visual, and experimental arts.

http://www.masayaozaki.com/

– – –

doro sora (Dorota Kozłowska)

https://www.instagram.com/atorod_/

 

Masaya Ozaki

doro sora

 

Þóranna Björnsdóttir

Þóranna Dögg Björnsdóttir: Ekkó
Performers: Ylfa Þöll Ólafsdóttir and Þóranna Dögg Björnsdóttir
Text: Þóra Hjörleifsdóttir, from the work “Kvika”, used with kind permission of author

Þóranna Dögg Björnsdóttir ( b.1976) is a sound & visual artist based in Reykjavík Iceland.
She studied music from an early age and graduated as a classical pianist. Then she immediately turned to the field of contemporary music and art. A graduate of the Royal Academy of art in the Hague Þóranna has worked as a video and performance artist in the electroacoustic field. Björnsdóttir’s works are focused on the act of listening, representing themes such as: sound as an intuitive medium and as knowledge – knowing and being; allowing sounds to ignite myriad images and associations which give rise to various outcomes in form, time and space; her work has built upon the interplay of film and live music performances and takes on the form of sculpture, performance and soundwork. Her subject matters are varied but often revolve around human nature and a person’s worldview, how it shapes and progresses. Through a multidisciplinary approach her practice often places the viewer or audience at the centre of the work.

Þóranna has exhibited her work widely and performed at numerous concerts and art festivals in Iceland and internationally. Þóranna also works as a sound- and performance artist with the international art group Wunderland. In the last years she has taken the role as a curator of individual exhibitions and in 2020 co-curated the art biennale Sequences X titled “Time has come”.

https://thorannabjornsdottir.com

 

Mari Garrigue

Immersive. Imaginative. Transcendental. Mari Garrigue is a composer, digital luthier, sound designer, and vocalist based in Iceland. Her portfolio work incorporates a rich palate of hidden soundscapes explored and collected during her travels. The tapestry of her work derives from the natural landscape, electromagnetic fields, traditional instruments, and sound synthesis, which are used in tandem. Mari’s blend of the organic with the artificial produces rich, breathing textures which flow elegantly between the boundaries of reality and surreality.

https://www.instagram.com/mari.garrigue/

Live Coding for Beginners

Live Coding Workshop hosted by the City Library.  Free!

REGISTER HERE:
https://borgarbokasafn.is/event/learning/live-coding-beginners-strudel

Live coding is the creation of art and music by writing and changing computer programs while they run live, normally in view of the audience. In the last few decades, this practice has emerged as a dynamic creative discipline, gaining attention across cultural and technical fields—from music and the visual arts to computer science. In live coding the composition happens in realtime, where performers can communicate via sound, visuals, robotic and human movements, or basically anything that can be controlled. In performance the code is often projected on a screen for the audience to follow.

In this introductory workshop participants will get hands-on experience working with the popular browser-based live coding platform Strudel. The workshop will be led by Jack Armitage and Sigríður Birna Matthíasdóttir from the Intelligent Instruments Lab.

Participants ages 16 and older from all backgrounds are welcome, no coding experience is necessary. Please note the workshop will be held in English, and there are only 12 seats available. Participants must bring their own laptop / computer, although a limited number of on-site computers will be provided upon request.

At the end of the workshop at 15:30, participants are invited to share their ideas to help kickoff a new Live Coding Meetup, an open space for artists and programmers of all abilities and backgrounds to meet regularly, work on individual projects or collaborations, and learn about new technologies and practices. The meetup, launching this fall at the library, is a chance for participants to review and share live coding skills, as well as to dive even deeper into Strudel and other topics of interest.

The program for this workshop is as follows:
12:00-15:30: Introduction to live coding using Strudel TidalCycles
15:30-16:00: Live Coding Meetup kickoff

For more information about the international live coding community, see TOPLAP (https://toplap.org/) and Algorave (https://algorave.com/).
More on Strudel and TidalCycles: https://strudel.tidalcycles.org/

For more information regarding the workshop:
Karl James Pestka (he/him)
Project Manager — Makerspace
karl.james.pestka@reykjavik.is | +354 665 0898

 

Owen Hindley

Owen (he/him) is a collaborative digital artist, working with software, sound, and electronics for the web, VR, performances, devices and installations.

His commercial work has included serving as technical lead on large, cutting-edge projects for clients such as Oculus Studios, Google, Microsoft/Xbox, Samsung and Mercedes, collaborating with digital creatives such as Universal Everything, FIELD and B-Reel. These projects have ranged from an interactive web-connected musical installation at the London Science Museum for Google, Web Lab, to a pneumatic live-streamed pinata-smashing robot.

He is co-founder of Huldufugl, a Reykjavik-based theatre and events company experimenting with new mediums in theatre, both technological and immersive.

He is also co-founder of Horizons Studio, a London-based creative studio producing interactive musical experiences in VR. Their debut title, Horizons VR was commissioned by Google as a launch title for their Daydream platform, with releases on Oculus and HTC platforms planned for 2019.

He was also Sound Supervisor and on-set sound recordist on two short independent films, The Fallow Field and Who We Are, and sound editor on the Subsource Dubumentary.

https://linktr.ee/owenhindley

Þorsteinn Eyfjörð & Owen Hindley

A audio-visual collaboration between sound artist Þorsteinn Eyfjörð and digital artist Owen Hindley. It will be their first time working together as a duo to create an immersive audio-visual experience consisting of choral-esque laments, field recordings and infra-bass married to LIDAR-inspired point cloud structures, geometric ruminations on the space that exists between light and shadow.

The performance will involve two tall blokes, live audio manipulation, projected visuals, lighting design and possibly turtlenecks.

https://cargocollective.com/teyfjord
https://linktr.ee/owenhindley

MC MYASNOI

MC MYASNOI is a Russian born, Iceland based band/collective that’s been a part of the Reykjavík grassroots collective Post-Dreifing for the past years.
Their current music can be described as deconstructed electronic music from outer space but things can always move in a completely different direction before you even notice.
Recently the band has been collaborating with exciting artists to establish a new visual aspect in their live set in the form of costumes and visuals.

“MC MYASNOI is guiding the masses through a cathartic, communal experience” — Studentablaðið
Prepare yourself for mental death & rebirth.

https://linktr.ee/mc_myasnoi

Dalin WaldoOoOoOoo


YOUR LOCAL ELECTRICITY WITCH: Dalin WaldoOoOoOoo an esoteric engineering enthusiast, one of the founders of the neo-fluxus anti-art movement Nægtularism with a big heart for old soviet synthesizers. She/he/they has an x-pertise in eloptic engineering and uses this knowledge in designing more organismic synthesizer interfaces together with SOMA Laboratory. She/he/they is the designer of The Ethermorphic FM Analyzer and the ENNER synthesizer. Which are both machines that can transmit your direct emotional energy and make the operator become a part of the circuitry, becoming one self an Emotional Machine Activator indeed, indeed. X-citing!

Can synthesizers transmit emotional energy, the so-called “eloptic energy”? Can we consider improvisation as a way of conversing with our synthesizers? – and can we build synthesizers in the future based on the understanding of eloptic energy? Thoughts about esoteric engineering, deep listening and the aesthetic of electricity. Followed up by a presentation of the ENNER synthesizer project.

Mikael Lind

Mikael Lind is an electronic musician that has released many albums under his own name, and in collaboration with among others Hoshiko Yamane from Tangerine Dream and the cellist Johanna Sjunnesson from Radiosymfonikerna.  He has also composed sound pieces for visual art, most recntly the exhibition Andardráttur á glugga in Ásmundarsafn.  His music is often ambient with an experimental side, but for RAFLOST he will perform a new piece with emphasis on experiments.

 

sideproject

sideproject is an electronic music trio from Reykjavik, Iceland. In the last year they contributed beat programming to Björk’s “Fossora” , as well as releasing an official remix of the single “Atopos” .

With an equal focus on studio work and live performances, the trio have been working hard at a new LP as well as performing a new live set.

They have been very active in the local Reykjavik scene, organizing concerts and parties as well as releasing albums, with their 2021 release “radio vatican ep” winning the electronic album of the year at the Icelandic music awards and their most recent project being the 2022 EP “kingfisher” .

Their music is characterized by heavy, fast-paced, intricate beats and textured, flowing synths. stealing from everyone and everywhere, sideproject’s music becomes a cryptic mix of electronic influences.

 

Possimiste

Possimiste is a lucid dreamer who brings songs into this world from other galactic dimensions she visits. This explains the stellar essence of that catchy pop dedicated to humankind.

Possimiste’s debut album “Youniverse” was released in summer 2021 and has brought the artist numerous awards, such as “Best Female Act” at X977 “Sykurmolinn 2020”, “European Emerging Band 2021” winner, one of the most notable albums of 2021 by The Reykjavík Grapevine, and “Album of the Year” by Musica Islandese Italia.

At RAFLOST, she will join forces with Tálsýn visuals to take you on a special trip through numerous galaxies.